G-Force ­ Unreleased

G-Force required a combination of post-visualization and pre-visualization. Once principle photography was finished, The Third Floor helped plan the re-shoot by re-imagining some of the shots under the direction of Hoyt Yeatman, while also re-purposing a majority of what was already shot. The real challenge was taking typical camera angles and bringing them down to “guinea pig level” to give the audience a whole new perspective.